Video production

We treat live video as a real-time creative job, not a documentation task. A good camera director is the difference between a polished broadcast and a static webcam feed, and a good operator can save a moment that an inattentive one would miss.

Multi-camera

Our default broadcast package is three cameras — a wide master, a tight lectern shot, and a roaming angle — switched live to a program output. We scale up to four or five for panel discussions, performances, or any event with multiple stage positions. The director sits next to the producer so cuts match the program rhythm, not the operator's instincts alone.

IMAG

In larger rooms, the back of the house cannot see the speaker's face. We feed an in-room IMAG output to side screens or back walls, color-matched to the room's lighting, low-latency enough that audience members do not see the lag.

Recording

Every camera records ISO to its own card while the program is being switched. The program output also records, and so does the audio. Three independent recording paths means a single failure cannot lose the moment.

Graphics

We integrate real-time lower-thirds, tickers, score bugs, and brand graphics into the program feed. Templates are built in advance, fed live from a control surface that lets the producer trigger them on the program rhythm.